Monthly Archives: December 2011

The Friday Face, no. 6: a lion in mahogany

In the last Friday Face article we looked at a lion carved in walnut on the leg of an English armchair, from c.1725, presently in the Library at Fairfax House. The lion masks, which are carved on all four legs … Continue reading

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A musical interlude

This brief but, we trust, pleasant little post, intended to fill in while Fairfax House’s resident blogger and tweeter is laid low with a putrid seasonal fever, takes the form of a musical interlude. The Georgians loved their music, and … Continue reading

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The Friday Face, no. 5: a lion in walnut

One of the most important changes that occurred in furniture making during the eighteenth century was material rather than stylistic, but it was a change that had profound stylistic consequences: the rise of mahogany as the main timber used in … Continue reading

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Christmas at Fairfax House featured in Yorkshire Life

The magazine Yorkshire Life has a great feature in its December 2011 issue describing and illustrating the way we celebrate The Keeping of Christmas at Fairfax House. Our beautiful Christmas decorations and displays are pictured in lovely full colour with … Continue reading

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The Friday Face, no. 4: an admirable admiral

The Steeton branch of the Fairfax family had their home at Steeton Hall near Tadcaster. Unlike the staunchly Catholic Fairfaxes of Gilling they converted to Protestantism soon after the Reformation, so members of the Steeton Fairfax family were able to … Continue reading

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Georgian all the rage, says the Yorkshire Post

An article in today’s Yorkshire Post reflects on the upsurge in interest in the eighteenth century these days, with lavish costume dramas, high-profile history programmes and, apparently, a desire to ‘escape the economic doom and gloom enveloping modern Britain’ all … Continue reading

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Fairfax House on Twitter

‘What a twitter has this put me into, and all to no purpose!’ — Richard Cumberland, The Summer’s Tale, A Musical Comedy in Three Acts (1765), act I, scene IV. This is a quick reminder that, whether to no purpose … Continue reading

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